Skip to main content

BM Music Performance - String Emphasis

The String Program at USU is lead by the members of the Fry Street Quartet and bassist Braun Khan.  

The Fry Street Quartet occupies the Manon Caine Russell and Dan C. Russell Endowed String Quartet Residency at Utah State University. This residency affords string majors the rare opportunity to study with a world-renowned string quartet as their primary professors.

The size of the String Program at Utah State allows for each student to receive a great deal of individual attention throughout his or her study. With chamber music as a natural focus of a program led by a string quartet, a close-knit atmosphere is at the heart of the student experience, and the shared artistic and educational values of the FSQ are central to this experience.  

Competition winners and finalists, summer study at home and abroad, and continuing studies in prestigious graduate programs across the country are common among the ambitious students of the String Program at the Caine College of the Arts.


Bradley Ottesen

Professional Practice Associate Professor

Viola, Chamber Music

Fry Street Quartet ~ Viola

String Program Coordinator

Robert Waters

Professional Practice Associate Professor

Violin, Chamber Music

Fry Street Quartet ~ Violin

Rebecca McFaul

Professional Practice Associate Professor

Violin, Chamber Music

Fry Street Quartet ~ Violin

Anne Francis Bayless

Professional Practice Associate Professor

Cello, Chamber Music

Fry Street Quartet ~ Cello

Braun Khan

Professional Practice Assistant Professor

Bass, Jazz Studies


Private individual instruction with the members of the FSQ involves rigorous, technical training on the instrument combined with a profound exploration of each student’s authentic inner musical voice. Students have many opportunities to perform as they study, including weekly studio classes, recitals, chamber ensemble concerts, and juries.

Chamber Music is at the center of the string program at USU - a natural outgrowth of the Fry Street Quartet residency, strengthened by our relationship with the Chamber Music Society of Logan. Each semester there are numerous master class opportunities with the guests of the Chamber Music Society of Logan, as well as a culminating performance in the Caine Performance Hall.

Special events include performances and master classes lead by first-class guest artists from around the world. Recent guests have included the Emerson, Jerusalem, and Brentano quartets, cellists Paul Katz (NEC) and Peter Wispelwey (international soloist), violists James Dunham (Rice University) and Roger Chase (international soloist and pedagogue), as well as violinist Kathryn Eberle (Associate Concertmaster of the Utah Symphony).

Additional Class and Ensemble Performance Opportunities:

  • Performance Practice Institute - Academic and performance study of music from the Baroque era
  • Orchestral Audition Seminar - Group-class exploration of the world of orchestral auditions, taught by esteemed members of the Utah Symphony
  • Caine Undergraduate Research Quartet - A special opportunity for an advanced, upper-class string quartet to work and coach intensely with the FSQ, with multiple performance and travel opportunities.  Additional scholarship is awarded to those chosen by the FSQ to participate.
  • Side-by-side Performances with the Fry Street Quartet  - Special opportunities arise for students to perform in concert with the FSQ. 

Opportunities for Non-majors: Music Therapy majors, Music minors, and other interested students are welcome to register for private lessons by contacting Dr. Mark Emile, and to audition for the USU Symphony Orchestra.

Learn More About the String Program: If you are curious to know more and would like to speak with a member of our faculty, please don’t hesitate to contact us. Trial lessons are available to those who make arrangements in advance to visit the Logan campus.   

In addition to applying for admission to the University, all applicants interested in pursuing a music degree must perform an audition on their major instrument to gain admission into the Department of Music. View specific audition information.

Chamber Music at USU is an immersive experience that lies at the heart of the string program. The focused and sustained study of chamber music builds a vital array of musical and personal skills, and allows the student to develop individual artistry while collaborating intensively with their colleagues and friends. Student groups are mentored by the Fry Street Quartet, and perform at the end of each semester in the world-class Caine Performance Hall. Students also receive regular master classes from visiting artists, which have included the Emerson Quartet, Paul Katz and James Dunham, and members of the Chamber Music Society of Lincoln Center.


The Caine Undergraduate Research Quartet was launched in collaboration with the USU Research Office to explore how processes of academic research and music are intrinsically linked, and then apply those discoveries to community engagement through performance. The students of the CURQ receive joint funding from the music department and the research office to make classroom visits, launch a series of concerts in unusual spaces, give a full recital, and develop professional materials.

Personal Statements from CURQ members:

Performing with the Caine Undergraduate Research Quartet has been a truly spectacular experience. It has provided me with opportunities that are rarely found even among conservatory music programs. This unique project has given me skills which will carry through to my future in music, as well as to any other area of my life which involves working closely with others to achieve unified and often demanding goals.” Gavon Peck (’16), violist

“Participating in the first Caine Undergraduate Research Quartet has been a rewarding experience that has accelerated my development as a musician, performer and professional.” ~Stephen Mitton (’15), cellist


The Performance Practice Institute began in 2012 as a student-based initiative. Its original goal was to explore and perform music specific to the Baroque era. The group’s early success inspired several faculty in the music department to broaden and amplify this effort, including Dr. Christopher Scheer (PPI’s current director) as well as FSQ members Robert Waters, Rebecca McFaul, and Bradley Ottesen. Under the direction of the above faculty, and with additional assistance from Dean Jessop, Associate Professor Cory Evans, and others, PPI has now become an annual, semester-long endeavor, which incorporates the study of a large work (or collection of smaller works) from the Baroque era. The culmination of this effort is a public performance of said work(s) by a combination of students, faculty, and guest artists.

Performance Practice Institute Program Themes:
2012:  Student based initiative culminating in a concert at St. John’s Episcopal Church

2013:  Bach’s Mass in B Minor under the direction of Dr. Craig Jessop

2014:  Music of the North German Baroque

2015:  The Career of William Byrd: Catholic Recusancy in Tudor England

2016:  Francesca Caccini's "La liberazione di Ruggiero dall'isola d'Alcina, a puppet opera of 1625


USU Symphony Orchestra(available to non-majors by audition)

Cache Symphony Orchestra (available to non-majors)

String Student Accomplishments At a Glance

In recent years, our students have won prizes in the national MTNA and ASTA competitions (solo and chamber music categories), the Lion’s Club International Violin Competition, and the T. Gordon Parks Collegiate Concerto Competition.  


Summer Festival Study
Our students have studied at premiere summer festivals around the world, including the Aldeburgh Festival, the Aspen Music Festival and School, Bowdoin International Music Festival, Le Domaine Forget International Music Festival, Madeline Island Music Camp, The Meadowmount School of Music, the Montecito International Music Festival, Pacific Music Festival, and Pergine Spettacolo Aperto, Pergine Valsugana, Italy.


Scholarship and Initiative
String students consistently show excellence and creativity in their studies, and have been named Undergraduate Research Fellows, Undergraduate Teaching Fellows, and Undergraduate Writing Fellows, as well as Utah Regents Scholars and A-Pin winners.  Student-created initiatives include the New Music Collaborative and the Performance Practice Institute, and our Caine Undergraduate Research Fellowship Quartet offers exciting professional development opportunities for our most advanced chamber musicians.


Graduate Study
Graduates of our program have gone on to prestigious graduate and doctoral programs around the country and internationally, including Arizona State University, Boston University, the Cleveland Institute of Music, Northwestern University, the Royal Conservatory of Scotland, The University of Cincinnati College-Conservatory of Music, and the University of Colorado, Boulder.


Professional Work
Our graduates run successful private teaching studios and direct school music programs around the country, and regularly perform in orchestras that include the Boise Philharmonic, the Boulder Philharmonic, the Cheyenne Symphony, the Fort Collins Symphony, the Utah Festival Opera Orchestra, and the Wyoming Symphony. In addition, they have been active in studio recordings for LA East/Warner Brothers, Platinum Lab, Rosewood, and LDS Motion Picture Studios.

Violin Concerto in a minor, I. Moderato and II. Andante sostenuto by Alexander Glazunov,

performed by 2016 concerto competition winner Amanda Marshall, B.M. 2016,

accompanied by the USU Symphony Orchestra under the direction of Dr. Sergio Bernal.